The Bastille was a symbol of royal absolutism
before the French Revolution. Begun 1369, it was originally
intended to augment the city's defenses, though by the 17th
century it was being used as a prison. Voltaire and the
Marquis de Sade were among its most famous inmates. Rumor
and pamphleteers had for years disseminated a picture of
its dungeons packed with wretched state prisoners. On July
13, 1789, exhorted "to arms" by a young lawyer, Camille
Desmoulins, a mob gathered outside the Bastille, that frowning
fortress whose guns were menacingly directed on the poor
quarter of the Faubourg St-Antoine which surrounded it.
The frenzied crowd demanded the munitions that were stored
within, while the Governor, the Marquis de Launay, promised
not to fire unless attacked. On the following day, July
14, which marks the beginning of the French Revolution,
the agitated crowd returned and filled the Bastille's outer
courts, which had been left unguarded.
The Bastille Opera
In 1983, Carlos Ott's design was choosen for the design of a new opera house,
which would be situated in the district of La Bastille. His design was characterised by its respect for the
characteristics of the district, an inviting sight for the public by it's glass fa¥ade and the use of
identicalmaterials inside and outside. The Opera Bastille was designed to make new concepts in scenery and
stage decor fit together (the three-dimensional sets that complete or replace the trompe-l'oeil of the
baroque and romantic period) and for a new public.
The Bastille opera house was opened by President François Mitterrand in 1989.
You'll find art galleries clustered around rues Keller, Tamandiers and the adjoining stretch of rue
de Charonne. And, on rue de Lappe, a very Parisian tradition : the "bals musettes", or dance halls of the
1930s "gai Paris", frequented between the wars by Piaf, Jean Gabin and Rita Hayworth.
Day and Night life
The most famous bals musette,"The Balajo", rue de Lappe was founded by Jo de France, who introduced
glitter and spectacle into what were then seedy gangster dives, and brought Parisians from the other
side of the city to savour the rue de Lappe lowlife.
The rue de Lappe can still be as dodgy a place to be at night as it was in prewar days. The bouncers
at clubs like the Chapelle des Lombards, and at Balajo itself, the heavy drug scene and the uneasy mix
of local residents have taken the soul away from a street that ten years ago deserved the special
affection that Parisians of all sorts gave it.